Skip navigation
London Review of Books London Review Bookshop

Like Dolls with Their Heads Cut Off subscriber-only content

Laura Quinney

Louise Glück, the poet laureate of the United States for 2003-2004, belongs to the line of American poets who value fierce lyric compression. This tradition was established by Emily Dickinson and her followers: H.D., Louise Bogan and Elizabeth Bishop. It is a tradition predominantly, though not exclusively, of women poets; the opposing tradition of ornate or discursive amplitude has been predominantly male (Whitman, Crane, Pound, Eliot, Ginsberg). Wariness and rigour characterise this genus of poetry by American women. Dark, incisive and severe, it treats every species of indulgence with mistrust, from rhetorical excess to wilful illusion.

subscriber-only content Subscribers to the print edition can log in to view the entire article. For information about subscribing to the London Review of Books click here. This article is available for purchase online. Buy this article.

Laura Quinney is the author of Literary Power and the Criteria of Truth and The Poetics of Disappointment: Wordsworth to Ashbery. She teaches at Brandeis University in Waltham, Massachusetts.

LRB cover artwork

From the archive

Short Cuts
Thomas Jones: National Poetry Day

Short Cuts
Daniel Soar: Pop Poetry

Chicory and Daisies
Stephen Burt: William Carlos Williams

Always the Bridesmaid
Terry Castle: Sappho

Jamming up the Flax Machine
Matthew Reynolds on Ciaran Carson’s Dante