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Barbara Everett on Hamlet

‘Hamlet’ is perhaps the most popular literary work ever put down on paper. This does not necessarily make it any easier to see clearly, or to come to terms with intellectually. This is especially so in a period when scholars say that there is no Hamlet, clear or not: there are only the incompatible early editions and the abundance of theatre productions ever since. I think myself that Hamlet exists; that Shakespeare’s first major tragedy has through all its forms a character so definite as to constitute something real and singular. Certainly, an event hit the English stage for the first time around 1600 that not only revolutionised revenge drama but made a difference to a powerful amount that has been written or staged since.

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