Using so Little 
Sean Wilsey
Clopp. Ssh . . . RRRaaaaooooowwwwwwrrr rrrrrrrrrrr – reeeeee eeeeeeeeeeppp – rrraaaaooooo wwwwwwrrrrrrrppppppp – tic! – rrraaaa ooooowwwwwwrrrrrrrrrrrrrr – reeeeeeeeeeee eeeeppp – tic!-schrapp! –
BAM! COMBP! – RRrraaaoooowwwwwwrr rrrrrrrrrrrrr –
– TNK! – rrraaaaooooowwwwrrrrrrrrrrrrr
Skateboarding’s inspiration springs from adversity: surfers without waves; pools without water (1970s skating owes much to the California drought); kids without family. It’s a particular product of American rootlessness. A 1952 photograph of kids on the Lower East Side of Manhattan, taking part in the Children’s Aid Society’s Anything on Wheels derby, shows a handful of rogues (all out in front) with steel rollerskate wheels bolted to planks – the first skateboarders. There are girls and boys, black and white, from the city’s poorest neighbourhood, and they outnumber the spectating parents in the photograph by 13 to one. The boy whose father takes him swimming, the girl whose mother takes her to the theatre, children whose parents ‘do things’ with them – these are not skateboarders. Skateboarding has always been a ‘sport’ for fuck-ups.
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Sean Wilsey is an editor at McSweeney’s. His memoir, Oh the Glory of It All is out from Penguin.
Other articles by this contributor:
The Greeter · With Cantor Fitzgerald
Some of them can read · Rats!
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