Skip navigation
London Review of Books London Review Bookshop

Diary subscriber-only content

Nicholas Penny

Sometimes, walking in the woods on a Saturday afternoon, my mother and I came across the local racecourse. She would put the dog on its lead and I would approach the white rails where the horses – with their mad eyes, soft telescopic nostrils, bulging veins and bony legs – were being restrained in front of the nooses stretched across the track by tense, hunched dwarfs in brilliant silks who abused each other with words I had never heard before. It was a close-up view from below and in colour of what was surveyed on black and white television with an Olympian commentary by Clive Graham and Peter O’Sullevan. ‘Under starter’s orders,’ the public address system boomed. A hush fell over the distant stands. ‘They’re off.’ As the thunder of the hoofs receded, the roar of the punters rose. The Red Cross van lumbered slowly in pursuit.

subscriber-only content Subscribers to the print edition can log in to view the entire article. For information about subscribing to the London Review of Books click here. This article is available for purchase online. Buy this article.

Nicholas Penny is the director of the National Gallery.

LRB cover artwork

From the archive

Short Cuts
Paul Laity: A west-country Man U supporter speaks

France ’98
Ian Hamilton watches the World Cup

Hating Football
Andrew O’Hagan deserts the Tartan Army

Short Cuts
John Sturrock on football slang

A Month on the Sofa
John Lanchester: My Sporting Life