
James Wood’s books include The Irresponsible Self: On Laughter and the Novel, The Book against God, a novel, and, most recently, How Fiction Works. He is a staff writer for the New Yorker and Professor of the Practice of Literary Criticism at Harvard.
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Vol. 24 No. 12 · 27 June 2002
pages 11-12 | 2972 words

Phut-Phut
James Wood
- Critical Times: The History of the ‘Times Literary Supplement’ by Derwent May
HarperCollins, 606 pp, £25.00, November 2001, ISBN 0 00 711449 4
There is a story that Gershom Scholem, the scholar of Jewish mysticism, was being introduced at a lecture in New York. Mysticism, the introducer said sarcastically, is nothing; but a history of nothing – well, that is science. The same can be said, multipliedly, of Derwent May’s book, which is essentially a history of the book review, a genre of such tiny dignity that its life might better be left unexamined. Over large portions, this book is about nothing – or, nothing more than the weekly phut-phut of the English literary establishment. It is a book in which the reader learns how to endure, if never quite outwit, a dark regime of sentences such as ‘One feature for which the Lit Supp has always been famous is its cantankerous letters,’ or ‘One of the happiest events for the Lit Supp in 1916 was Virginia Woolf’s return in the spring to health, and to its reviewing team.’
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Letters
Vol. 24 No. 13 · 11 July 2002
From A. Banerjee
James Wood believes (mistakenly, I think) that Derwent May's Critical Times: The History of the 'Times Literary Supplement' is a 'melancholy record of lost opportunities' (LRB, 27 June). He goes on to cite The Rainbow, which the TLS failed to notice, perhaps because of the controversy surrounding its publication and prosecution. This might give the impression that the journal failed to recognise Lawrence's genius. In fact, according to May, 'of all the major writers of the war years and afterwards, it must be said that Lawrence was best served by the Lit Supp.' May's researches show that A.C. McDowall, one of the founding reviewers of the journal, 'understood what was best in Lawrence', and he was perhaps instrumental in Lawrence's receiving TLS reviews (generally favourable) of most of his work. The TLS was also among the first few to notice Lawrence's talents as a poet and playwright.
A. Banerjee
Institute of English Studies, London WC1