In the Spirit of Mayhew 
Frank Kermode
- Family Matters by Rohinton Mistry
The Indian novel in English goes back a long way, at least to R.K. Narayan, who flourished from the Thirties to the Eighties of the last century. The achievements of Vikram Seth, Arundhati Roy and others now at work suggest that it still flourishes despite the opposition view that modern Indians should not write in English. India has a great many languages and English can be thought of as just one more of them, but that argument won’t wholly suffice, for the loyalty of these writers is not merely linguistic. Their allegiance is to the English novel of the 19th-century tradition, and their work has little in common with deviant strains, whether of Modernism or Postmodern magic realism, or of such mid-20th-century experimental styles as the nouveau roman. Indeed they testify to the power, or if you prefer, the inertia, of that great central tradition.
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Frank Kermode’s books include The Sense of an Ending and The Uses of Error.
Other articles by this contributor:
Flinch Wince Jerk Shirk · Christine Brooke-Rose
Point of View · Atonement by Ian McEwan
No Tricks · Raymond Carver
Who has the gall? · Sir Gawain and the Green Knight
At Tate Britain · William Blake
Nutmegged · The War against Cliché: Essays and Reviews 1971-2000 by Martin Amis.
Nothing for Ever and Ever · Housman’s Pleasures
Complicated Detours · Darwin’s Worms by Adam Phillips
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