Lurching up to bed with the champion of Cubism
Nicholas Penny
- The Sorcerer’s Apprentice: Picasso, Provence and Douglas Cooper by John Richardson
Cape, 320 pp, £20.00, November 1999, ISBN 0 224 05056 7
John Richardson is one of those gossips who knows – or at least knows about – everyone. For example (on page 118, to be precise), Marie-Laure (1), Maurice Bischoffsheim (2), the Comtesse de Chevigné (3), the Duchesse de Guermantes (4), the Marquis de Sade (5), Jean Cocteau (6), the Vicomte de Noailles (7), an anonymous gym instructor (8), Igor Markevitch (9), Diaghilev (10), Nijinsky (11), Maurice Gendron (12): I was the daughter of 2, an immensely rich Belgian banker, and the granddaughter of 3, who was said to be the model for 4, and was also – would you believe it? – the great-great-granddaughter of 5. She contemplated marriage with 6, opted for 7, but discovered him in the arms of 8 – whose sex is unspecified in the haste to explain that she was herself soon in the arms of 9, the ‘somewhat feral-looking composer’ who had been the ‘last great love’ of 10 and later married the daughter of 11. The ‘feral-looking’ composer (9) was expensive but gave her a taste for musicians, which explains her imprudent elopement in the middle of the war with the ‘faun-like’ cellist (12).
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