
Christopher Prendergast is a fellow of King’s College, Cambridge, and was the general editor of the Penguin Proust.
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Vol. 18 No. 17 · 5 September 1996
pages 7-8 | 2697 words

La Bête républicaine
Christopher Prendergast
- The Dreyfus Affair: ‘J’Accuse’ and Other Writings by Emile Zola, edited by Alain Pagès, translated by Eleanor Levieux
Yale, 208 pp, £25.00, June 1996, ISBN 0 300 06689 9
- Zola: A Life by Frederick Brown
Farrar, Straus, 888 pp, £37.50, May 1996, ISBN 0 374 29742 8
In September 1894, the Intelligence Bureau of the French Army intercepted a memorandum (the so-called ‘bordereau’) sent to the German military attaché in Paris, informing him that important details concerning French national defence would shortly be communicated to the Germans. The military authorities were baffled as to the source, but suspicion fell on Captain Alfred Dreyfus, at the time serving in a probationary capacity on the General Staff. The ‘bordereau’ was submitted secretly to handwriting experts, the first expressing doubts that it was by Dreyfus, the second (Bertillon, the inventor of anthropometry, a system for identifying criminals on the basis of an inherent ‘criminality’) concluding in connivance with the authorities that it was indeed in Dreyfus’s hand. Arrested, tried, found guilty of treason, publicly stripped of military office and sentenced to both deportation and life imprisonment, Dreyfus was sent to French Guiana and from there to Devil’s Island.
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Letters
Vol. 18 No. 18 · 19 September 1996
From Neil Forster
Christopher Prendergast asks (LRB, 5 September), à propos Flaubert, what the life-story of ‘un homme-plume’ would be. Fascinating, I‘d say, if it were a true sentence-by-sentence account, on the lines pioneered years ago by the Monty Python commentary on Thomas Hardy wrestling with the opening words of (was it?) Return of the Native.
Neil Forster
London N1
Vol. 18 No. 19 · 3 October 1996
From Robin Hope
Christopher Prendergast (LRB, 5 September) is unnecessarily snooty about ‘the proliferating genre of literary biography’. In response to his question ‘Would you want a plot summary of a novel before reading it?’ I raise my hand. I remember as a small child being told, by a slightly older child who had just seen the play, the complete plot of Hamlet – ghost, murders, Ophelia, fencing match, poisoned cup, everything. I was fascinated and have remained so.
As for Frederick Brown’s Zola: A Life (which Prendergast was reviewing), it was a great help to me in preparing a literature class on Germinal this year. It would have been a better book at half the length. But one can skip. We do not all have at our fingertips the knowledge displayed by Brown of the year-by-year development of the political, economic, social and artistic history of France in the 19th century. I find most novels easier to enjoy when set in their historical context. To return to plot summaries, I have read only two other Zola novels; but, having read Brown, I shall read more.
Robin Hope
Todi, Italy