How he got out of them

Anne Hollander

  • Kafka’s Clothes: Ornament and Aestheticism in the Habsburg ‘Fin-de-Siècle’ by Mark Anderson
    Oxford, 231 pp, £30.00, May 1992, ISBN 0 19 815162 4

The jacket photo for Kafka’s Clothes shows him without any, sitting tailor-fashion on a beach, smiling above naked shoulders and a thin chest, the prominent ears rhyming with prominent bony knees. His swimming trunks are Obscured in shadow. It’s not at all the stiff-collared, well-buttoned Kafka we’re used to, and the one introduced in the interior of this study is also unfamiliar. But he is convincing. Clothes might seem to be among the least of Kafka’s interests, since he is usually taken as a dedicated visionary, struggling only to purify his mode of expression in order to probe more keenly into the most painful matters of life and death and men’s souls, and he is remembered as someone unworldly enough to break off his engagement in order to give himself only to his work. Mark Anderson has nevertheless shown that clothes mattered hugely to him.

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