Siding with Rushdie

Christopher Hitchens

  • The Rushdie File edited by Lisa Appignanesi and Sara Maitland
    Fourth Estate/ICA, 268 pp, £5.95, July 1989, ISBN 0 947795 84 7
  • CounterBlasts No 4: Sacred Cows by Fay Weldon
    Chatto, 43 pp, £2.99, July 1989, ISBN 0 7011 3556 5
  • Salman Rushdie and the Third World: Myths of the Nation by Timothy Brennan
    Macmillan, 203 pp, £29.50, September 1989, ISBN 0 333 49020 7

Just as the Muslim world was vibrating to the ‘insult’ visited on the Prophet Muhamed (Peace Be Upon Him) by an Anglo-Pakistani fictionist of genius and renown, the British and American mass audience was thrilling to the reborn version of David Lean’s Lawrence of Arabia. The movie, which is the closest investigation most English people have made of their country’s long, intense, misunderstood encounter with Islam, is actually rather touching in its attempt to ‘understand’ the other by means of epic romance. To the fatalism of a subject population, who are serfs to a Turkish empire and captives of a holy book they cannot read. Lawrence cheerily and repeatedly intones: ‘Nothing is written.’ By this he does not intend any insult to the lapidary, but only a bracing ‘Western’ injunction against surrender. Yet Islam means surrender. The very word is like the echo of a forehead knocking repeatedly on the floor, while the buttocks are proferred to the empty, unfeeling sky in the most ancient gesture of submission and resignation.

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