Donald Mitchell remembers Hans Keller

I only need to hear a few bars from Mozart’s G minor Symphony (K. 550) and in a flash Hans is as vivid a presence as he was when he was alive. Not any old bars, mind you: to be precise, bars 125 to 136 of the finale, where in a remarkable unison passage which propels us into the development Mozart exploits (almost) the total resources of the chromatic scale.

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[*] The Great Haydn Quartets: Their Interpretation. Dent, 272 pp., £16.95, May 1986, 0 460 004638 1.

Criticism, edited and with an introduction by Julian Hogg. Faber, 166 pp., £4.95, 17 August, 0 571 14803 4.