This is how you smile: On Jamaica Kincaid

Ogazielum Mba, 8 February 2024

In Kincaid’s fictional world, to be someone’s daughter is to carry a great burden. To become yourself, you must reject, kill, refuse the mother, leave home, write books and essays against her, marry...

Read more about This is how you smile: On Jamaica Kincaid

Wreckage of Ellipses: On Enheduana

Anna Della Subin, 8 February 2024

The Sumerian priestess Enheduana managed the complex affairs of the temple and wrote poems, among them a collection of temple hymns that sought to accomplish in verse what her father, Sargon of Akkad,...

Read more about Wreckage of Ellipses: On Enheduana

Toxic Sausages: ‘Life Is Everywhere’

Chris Power, 25 January 2024

Are we being told that to seek truth in books is dangerous? Perhaps. But Lucy Ives also seems to be saying that books are things we pour meaning into as much as they dispense it. ‘A novel is a medicine...

Read more about Toxic Sausages: ‘Life Is Everywhere’

The Secret Life: On the poet Molly Brodak

Patricia Lockwood, 25 January 2024

You do walk through the world with some people. You don’t know anything about them, but you walk through the world; if they die, you do not get used to it.

Read more about The Secret Life: On the poet Molly Brodak

Hooted from the Stage: Living with Keats

Susan Eilenberg, 25 January 2024

Keats was deeply interested in suffering. He came by it naturally and also medically; sometimes it appeared as an impulse towards poetic tragedy. He wants what he has always wanted, to soothe pain. If...

Read more about Hooted from the Stage: Living with Keats

Emvowelled: Muddy Texts

Thomas Keymer, 25 January 2024

For early audiences, the thrill of the chase was part of the fun, and it was better to travel down the byways of interpretation, individually or through social consultation, than to arrive at a fixed conclusion....

Read more about Emvowelled: Muddy Texts

First-person narration is a rich medium in which difference can simply be suspended, without the need to announce the fact. For readers of a novel, the question ‘What is the gender affiliation of this...

Read more about Camden Town Toreros: ‘Corey Fah Does Social Mobility’

How to Hate Oil: On Upton Sinclair

Edmund Gordon, 4 January 2024

The modernity of Upton Sinclair’s California is at odds with his style. He had no time for recent developments in literary technique and his primary models were Zola (from whom he learned the importance...

Read more about How to Hate Oil: On Upton Sinclair

Wheatley’s writing was the supposed product of her leisure time rather than her enslaved labour. She imitated white aesthetics while drawing attention to her Blackness in ways that mixed humility with...

Read more about Victory by Simile: Phillis Wheatley’s Evolution

In discussions of translation, we hear a lot about difficulty, impossibility, loss, riches, invention, triumph – all justified and interesting avenues. But texts may suggest something else: agreement,...

Read more about Break your bleedin’ heart: Proust’s Otherness

Getting the Ick: Consent in Shakespeare

John Kerrigan, 14 December 2023

Consent could mean, as now, agreement to a proposal, but Shakespeare’s plays reflect social conditions in which consent between lovers depends on the consent given by friends and family. As Petruchio...

Read more about Getting the Ick: Consent in Shakespeare

Paper Grave: On Scholastique Mukasonga

Kevin Okoth, 14 December 2023

The Hutu authorities​ in Rwanda, Scholastique Mukasonga writes in The Barefoot Woman, portrayed the Tutsi as ‘inyenzi, cockroaches, insects it was only right to persecute and eventually exterminate’. Mukasonga’s...

Read more about Paper Grave: On Scholastique Mukasonga

On Mary Ruefle

Emily Berry, 14 December 2023

American poets have never tired of the wonders of refrigeration. Ever since William Carlos Williams pilfered plums from the icebox there have been songs in praise of fridges and their contents – and...

Read more about On Mary Ruefle

The structural jumps and awkward sutures of time in The Fraud are part of its argument. They give additional force to its wider project of showing how the novels of the period 1840-80 were structurally...

Read more about Crushing the Port Glasses: Zadie Smith gets the knives out

This Other Eden is loosely based on what happened on Malaga Island, Maine in 1912, the same year that the first international congress on eugenics was held in London, at which Leonard Darwin, son of Charles,...

Read more about Ain’t worth balls on a ewe: ‘This Other Eden’

Chairs look at me: ‘Sojourn’

Alex Harvey, 30 November 2023

Amit Chaudhuri’s Sojourn is interested in our relationship to the history we are living through, conscious that no one is fully aware of living in an historical epoch, perhaps as fictional figures can’t...

Read more about Chairs look at me: ‘Sojourn’

Slimed It: On N.K. Jemisin

Francis Gooding, 30 November 2023

H.P.Lovecraft’s name rarely appears today without the requisite condemnation. Yet nobody is really suggesting that we stop reading him, cancel Cthulhu and de-platform the Great Old Ones.

Read more about Slimed It: On N.K. Jemisin

Water on the Brain: Spurious Ghosts

Dinah Birch, 30 November 2023

Spiritual guidance is rare in Vernon Lee’s stories. Her ghosts are usually the undoing of those who encounter them; they represent compulsive desires rather than fears, and the glamour of history more...

Read more about Water on the Brain: Spurious Ghosts