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Hal Foster

Hal Foster, a co-editor of October, chairs the department of art and archaeology at Princeton.

From the London Review dated 16 December 2004

It’s Modern but is it contemporary?

“Such is the predicament of MoMA vis-à-vis the expanded field of contemporary art: how to contain, let alone to present, work that is immense, site-specific, and/or project-based? Here as elsewhere the response is better big than sorry – big as in 15,000 square feet with walls 21 feet high. But not all contemporary artists require the room that Serra needs (he will have a retrospective here in 2007); his scale shouldn’t be the norm. Huge is not necessarily flexible; in fact it can be quite rigid. Flexible can mean a mix of large and small spaces, and no doubt that is what we will see in the future. Yet the high walls will remain difficult: not much else can hold such a white field except extreme Minimalism or painterly bombast” [ read more . . . ]

Selected bibliography

  • Art since 1900: Modernism, Antimodernism, Postmodernism by Hal Foster, Rosalind Krauss, Yve-Alain Bois and Benjamin H.D. Buchloh (2005)  Buy this book
  • Prosthetic Gods (2004)
  • Design and Crime (and Other Diatribes) (2003)
  • Vision and Visuality (editor) (1998)
  • The Return of the Real: Critical Models in Art and Theory since 1960 (1996)
  • Compulsive Beauty (1995)
  • Recordings: Art, Spectacle, Cultural Politics (1985)

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