A still from ‘Riding on Air’ (1959).
When Vittorio De Sica was looking for funding to make the film that became Bicycle Thieves, the story goes, David O. Selznick offered to put up the money on condition that the lead would be played by Cary Grant. Film historians tend to take this as an instance of Hollywood crassness, though maybe it should be classed as one of cinema’s lost opportunities. More »
Meursault, contre-enquête by Kamel Daoud came out in English translation last month. The plaudits in the UK and US have a rare ring of authenticity: Daoud’s book is a dazzling appropriation of L’Etranger, sceptical, impatient, yet full of admiration for a canonical little fiction. He is The Outsider’s nerdiest insider. He knows every line (and occasionally quotes or tweaks them in his ‘own’ novel): he has inhabited the text and argued with it for years. Edward Said published Culture and Imperialism in 1993, as the war between Algeria’s Islamists and the ancien régime – still in power today, after half a century – was getting under way. That’s over. But so is the age of postcolonial condescension, a confident, proscriptive age, which threw out Camus’s best work along with a lot of his high-minded anguish. Daoud has reopened the conversation about an interesting novel. More »
In a cafe in Ramallah recently, an interesting page in Arabic popped up on my computer while I was reading the news. ‘The chance of your life’, it said. There were scrolling photomontages of a man with an earpiece, an intelligence room, an aerial picture of a targeted assassination; wads of dollars; a handshake, between two piles of passports; a man wearing a hoodie, his face obscured, in a virtual tunnel of binary numbers. I carried on reading:
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In 2009, the Argentinian writer Pablo Katchadjian published a short book called El aleph engordado, which he made by adding 5600 words to Jorge Luis Borges’s 4000-word story ‘The Aleph’. A Quixotic enterprise, you might think, or at least a Menardian one, if not quite a Borgesian one. More »
This summer you can take out a year’s joint subscription to the LRB and the Paris Review for one low price. And if you take a picture of yourself (or a stand-in) reading one or other magazine (or both) and post it on social media with the hashtag #readeverywhere, you’ll have a chance to win an Astrohaus Freewrite smart typewriter, among other fabulous prizes. Last year’s winner was a pelican.
Ten days in Honduras: a TV reporter and a cameraman, a radio reporter, a trade union leader, the head of an indigenous community fighting forest destruction, two transsexual activists, two bodyguards of the director of the agrarian reform institute and a lawyer were all murdered. The daily political killings are rarely investigated. Even if they lead to arrests, there is a backlog of 93,000 criminal cases awaiting trial. More »
Manet’s oil sketch for A Bar at the Folies-Bergère was auctioned last Wednesday night at Sotheby’s Impressionist and Modern Art summer sale. The large Salon painting has been at the Courtauld since 1934, but the privately owned sketch was last on sale 21 years ago, when it went for £4 million. This year, its value was estimated at between £15 and 20 million. It was sold in a few seconds for £15 million, plus £1.9 million in fees. (The overall total for the night was £178,590,000, twice as much as last summer’s sale.) Auctions have been described as ‘tournaments of value’ but there was no jousting; the sale was settled between the seller, the buyer and Sotheby’s before the bidding began, and the auctioneer brought down the hammer after just one bid. More »
For the past eighteen months, the Greek artist who calls himself Stefanos has been hacking euros, sketching images of the economic crisis in Greece onto banknotes. ‘Over the last five years the economy has hatched violence and social decay,’ he told me. ‘I’m using a European document, that is in cross-border circulation, to bomb public property from the comfort of my home.’ The notes depict lynchings, people collapsing, mass hysteria. The project was kickstarted by news of a suicide. ‘I always use black ink ball-pen and draw human figures using headlines from the media, whenever violence or poverty is reported, I transfer the message on the medium.’ Stefanos scans the notes, posts the images on his website and then puts them back into circulation, messages in bottles that may wash up on the shores of northern Europe. ‘A currency should reflect the reality of the era it represents,’ he says. More »
This week the queen showed up in Berlin to meet Angela Merkel. Her trip has taken in excursions to Frankfurt and Bergen-Belsen, to which the British seem to feel a proprietary bond through its having been liberated by UK and Commonwealth forces. She looked bemused when her hosts presented her with a painting, based on a photo from 1935, of her sitting on a sub-Franz Marc blue pony in front of her father, George VI. Did the queen recognise him? ‘No.’
Links between Germany and the house of Saxe-Coburg-Gotha remain robust, despite a couple of regrettable misunderstandings during the last century. But for the vagaries of 18th-century Anglican politics, the queen might have spent a blameless life pickling cabbage in Dortmund. At Berlin’s Technical University this week, she was greeted by a robot imitating the royal wave. It underlines the fact that the queen could have her job done for her by an android. More »
In his Essay on Diseases Incident to Literary and Sedentary Persons (1769), Samuel Tissot warned that ‘the devourers of books, who exhaust themselves only by reading, should desist as soon as they find their comprehension more than commonly slow, their sight moaty and dimmish, or their eyes hot and watery.’ Undeterred, I stayed in bed last Christmas Day until 4 p.m., reading Lost Illusions. More »