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	<title>LRB blog &#187; Nick Richardson</title>
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		<title>Izzy Skint?</title>
		<link>http://www.lrb.co.uk/blog/2013/01/02/nick-richardson/izzy-skint/</link>
		<comments>http://www.lrb.co.uk/blog/2013/01/02/nick-richardson/izzy-skint/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 10:28:08 +0000</pubDate>
		<dc:creator>Nick Richardson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[comics]]></category>

		<guid isPermaLink="false">http://www.lrb.co.uk/blog/?p=14119</guid>
		<description><![CDATA[When I was a kid the Beano and the Dandy were like cats and dogs: you liked one or the other and your preference reflected your personality. I was a Beano fan. The difference between Dandy and Beano fans, I imagined, was the same as the difference between the comics’ two lead characters, Desperate Dan [...]]]></description>
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		<title>Whizz with a Circuit Board</title>
		<link>http://www.lrb.co.uk/blog/2012/10/15/nick-richardson/whizz-with-a-circuit-board/</link>
		<comments>http://www.lrb.co.uk/blog/2012/10/15/nick-richardson/whizz-with-a-circuit-board/#comments</comments>
		<pubDate>Mon, 15 Oct 2012 15:07:52 +0000</pubDate>
		<dc:creator>Nick Richardson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.lrb.co.uk/blog/?p=13425</guid>
		<description><![CDATA[Before the Second World War, American composers went to Europe. That was the way of the ‘boulangerie’, the group including Aaron Copland who studied with Nadia Boulanger in Paris. After the war, though, they began to take seriously Charles Ives’s declaration that ‘we have listened too long to the courtly muses of Europe.’ They started [...]]]></description>
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		<title>White Camels Can&#8217;t Dance</title>
		<link>http://www.lrb.co.uk/blog/2012/08/24/nick-richardson/white-camels-cant-dance/</link>
		<comments>http://www.lrb.co.uk/blog/2012/08/24/nick-richardson/white-camels-cant-dance/#comments</comments>
		<pubDate>Fri, 24 Aug 2012 19:56:00 +0000</pubDate>
		<dc:creator>Nick Richardson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.lrb.co.uk/blog/?p=13004</guid>
		<description><![CDATA[Mittwoch aus Licht is the only opera I know of that calls for a Bactrian camel trainer. It’s also the only opera to feature both a helicopter-borne string quartet and instrumental soloists on trapezes. Stockhausen seems to have believed that the quality of a work of art is closely related to the effort expended in making it, and [...]]]></description>
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		<title>Atomic Guitars</title>
		<link>http://www.lrb.co.uk/blog/2012/05/08/nick-richardson/atomic-guitars/</link>
		<comments>http://www.lrb.co.uk/blog/2012/05/08/nick-richardson/atomic-guitars/#comments</comments>
		<pubDate>Tue, 08 May 2012 12:59:00 +0000</pubDate>
		<dc:creator>Nick Richardson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nuclear power]]></category>

		<guid isPermaLink="false">http://www.lrb.co.uk/blog/?p=11945</guid>
		<description><![CDATA[Two canary yellow stratocasters, mounted on stands to face each other and wired into squat black amps, buzz with a tentative open string drone. Next to the guitars hangs the shell of a radiation-proof suit. The stage is set for a band that never arrives: Fuyuki Yamakawa’s Atomic Guitars – recently on display at the [...]]]></description>
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		<title>Off the Page</title>
		<link>http://www.lrb.co.uk/blog/2012/03/01/nick-richardson/off-the-page/</link>
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		<pubDate>Thu, 01 Mar 2012 07:36:00 +0000</pubDate>
		<dc:creator>Nick Richardson</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.lrb.co.uk/blog/?p=11258</guid>
		<description><![CDATA[Whitstable might not seem an obvious location for a summit on the musical avant-garde, but then, before 1946, neither did Darmstadt. This February and last, the Wire magazine and promoters Sound and Music have put on a weekend series of testing lectures – on electronic, improvised and marginalised music – at the Whitstable Playhouse. There [...]]]></description>
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